Mid Century Art Glass Italian Archimede Seguso Murano Fish Bowl
Almost This Slice
Vintage Design
This blown drinking glass vase from Seguso is truly a please with its purple color and richness of internal air bubbles. Heavy, oftentimes. It measures a diameter of 17 cm. in diameter and nine cm. in height.
No chipping.
* Please note that items made of Rosewood are subject field to a special export process that may extend the commitment time an additional ii to 4 weeks
Creator | Archimede Seguso |
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Design Flow | 1950 to 1959 |
Product Period | 1960 to 1969 |
State of Manufacture | Italy |
Identifying Marks | This piece is attributed to the above-mentioned designer/maker. It has no attribution marking |
Manner | Mid-Century, Vintage, Italian Modern |
Detailed Condition | Very Good — This vintage item has no defects, but information technology may show slight traces of use. |
Restoration and Harm Details | Light wearable consistent with age and utilise |
Product Lawmaking | JDR-853587 |
Materials | Glass, Murano Glass |
Colour | Articulate, imperial, maroon |
Width | 22 cm 8.vii inch |
Depth | 22 cm eight.seven inch |
Peak | 9 cm 3.5 inch |
Diameter | 6.7 inch |
Duties Notice | Import duty is not included in the prices y'all see online. You may have to pay import duties upon receipt of your social club. |
Aircraft & Delivery
Ships from | Italy |
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Duties Discover | Import duty is not included in the prices you encounter online. You may take to pay import duties upon receipt of your order. |
Returns | Returns accepted within ii days of delivery, except for Made-to-order items |
Carbon Neutral | For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping. |
Commitment Details
- Delivery will be completed past a packet service such every bit UPS, DHL, or FedEx.
- You volition receive a tracking number to monitor the condition of your shipment.
- Delivery will take place between 9am and 5pm, Monday to Friday.
- A wooden crate may be used for intercontinental shipments for maximum protection.
- Detail will be left in its packaging after delivery.
- A signature will be required upon commitment.
*Important Note
Please examine the packaging upon commitment. In the event that there are visible signs of damaged packaging, delight signal the problem on the Delivery Note, take pictures, and—if the item inside shows damages—contact us within 48 hours of delivery. A signed delivery receipt without notations regarding damaged packaging represents your acceptance of the completed order in perfect condition.
Virtually the Creator
Archimede Seguso
Born 1909 in Murano, Italia, Archimede Seguso is revered as one of history's finest Venetian glassblowers, known particularly for the intricate vases, necklaces,
, and much sought-after that he produced for his eponymous house, Vetreria Archimede Seguso (est. 1946).Typical to the narratives that color Murano'southward glassmaking community (run into Barovier & Toso), Seguso hails from an uninterrupted lineage of glassmakers that reaches back nearly six centuries. In his belatedly teens, he apprenticed at La Vetreria Artistica Barovier, where—working alongside the likes of Vittorio Zecchin and Flavio Poli—he cultivated a maestro's sensibility for the practice that would later inform nuanced explorations into revising ancient Murano techniques (what would become his glassworks' signature). To that end, into the 1940s, Seguso contributed to Poli'due south sculptured Sommerso (or submerged) output, helping devise the circuitous technique behind the manus-blown craft in which transparent glass of varying colors and textures were laid, to striking vibrancy, atop each other. The series, Poli's about renowned, garnered heaps of subsequent awards, including the Compasso d'Oro prize in 1954.
Seguso's transition away from his family's firm to the independent environs of his own in 1946 represented a watershed moment in the history of modernist glassmaking—the movement, more or less, a precursor to the midcentury'south nascent Studio Glass movement, which saw the broad move from industrial-type glassblowing—e.g., at firms like René Lalique'due south in French republic, where Lalique's designs were carried out by a large team of workers—to the more artisanal processes of the small, studio furnace headed by a single artist.
Under his own direction, Seguso's atelier produced across the 1950s and 1960s a virtuoso array of innovative glasswork, characterized past the subtle layering and manipulation of drinking glass canes, fragments, shards, and powdered pigments, like his 1951 Zig Zag lattimo vase, an icon of postal service-war Italian design; the employ of Filligrana threads, like his masterful lattice-like Merletto vase, 1953, which reimagined the ancient technique to suit postwar tastes; and experimentation with novel organic shapes and forms, similar his smoky and diffused A Polveri series of vases and bowls, likewise 1953. Chandeliers, which framed the initial output of Vetreria Archimede Seguso, rounded out the balance of Seguso'southward midcentury oeuvre and were produced for the interiors of both Italian and international cinemas, theaters, hotels, churches, and public offices.
Seguso'south sons, Gino and Giampaolo, joined the atelier—in 1959 and 1964, respectively—marking the kickoff of a shift away from intricate layering and experimentation and toward massive sculpture. Standout works from this vein include Caput of a Sleeping Woman (1971), Head of a Child (1972), and Double Eclipse (1982), some of which were showcased at Palazzo Grassi and Correr Museum's 1982 exhibition A Yard Years of Glassmaking in Venice.
Seguso continued to travel in the late century, participating in retrospectives in New York (Tiffany & Co., 1989), Japan (the Otaru Museum, 1990), and Venice (Palazzo Ducale, 1991), while simultaneously producing new work. His colorful Fenice series of vases, inspired by the tragic Venetian theater fire in 1996, prove an enduring selection from this coda of Seguso'south important career.
He passed away in 1999.
Source: https://www.pamono.com/mid-century-italian-purple-murano-glass-bowl-with-air-bubbles-by-archimede-seguso-1960s
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